twenty-one and reverses

twenty one

This is red foil with star shaped holes over orange silk with yellow/gold thread. Still foiled, still gold stars, just some kind of reverse osmosis.

I have learned some things about foil.

  1. it is very (very) shiny
  2. it does not hold or carry details well, implying
  3. it works better on large areas than small areas
  4. it is only smooth when you don't want it to be (and conversely)
  5. the surface is easily roughed up or removed
  6. gluing it makes for random splotches rather than any kind of pattern
  7. fusible web is tricky in small pieces
  8. stitching over it is not productive although it can make for an interesting distressed look
  9. don't be cheap with foil – one piece doesn't work over more than one ironing, so just plan on using it in a profligate fashion
  10. I don't much like it

Having pushing it around for three weeks, and run out of gold, I think I am done with gold foil. I'll make gold stars on the rest of my red circles for January in other ways. 

twenty

twenty

I like the basic idea of the spiral, but I am not delighted with the contrast between the two threads I used to make it, or the placement of stars along it. 

I am fine; I had a medical test yesterday, and the results were in my favor. The circle for yesterday is over at Flickr. 

seventeen, a river of stars

seventeen

In all my fussing about fusible web for foil, I totally forgot that I have six or seven different glues, any one of which might work also. So I did some controlled testing on scrap fabric, and liked the way this one came out. Also, lots of close reds (I think there are three different reds in there, so it shimmers in an interesting way). 

 

sixteen and testing hypotheses

sixteen

I’m much happier with this one. Although I did forget to edge it before I took its portrait. 

You can look away now, if you are not interested in the more technical aspects!

After yesterday’s issues I dug out a different fusible (Heat and Bond, vs. WonderUnder). It works at a lower temperature, is thicker and heavier, and seems to be working better. I am encouraged by the intensity of the tiny stars – that was not happening with WU. I prefer WU because I usually need to be able to sew through the stuck down fabrics. Heat and Bond heavy weight is not to be stitched through; it does serious damage to needles, and the Heat and Bond lightweight still leaves strange residues. But it is great for foil. 

fourteen

fourteen

Fourteen, and a very busy day. 

I had a horse, and a concert, and dinner with friends, and then I remembered I had a circle to make. 

I am remembering why I got so frustrated with foil. It does it not do what I want it to, and it doesn't do it in ways I cannot fix or work around. I don't mind unpreditability, in fact I like working with variegated threads and handpainted fabric. But this looks ugly to me, the edges aren't good, the fusible doesn't hold all the shape of the transfer, it isn't clean…  Two weeks into January, I am remembering why I didn't do much with it before.

And I need to decide how hard I want to push the foil issue – do I stick with it to the end of January, or do I declare this experiment over and go on to other gold stars? Because I still like the idea of counting up to the end of the month. 

ornaments, the warm colors

ornaments in warm colors

I brought these down to show Alice, and she was running them through her fingers and cackling. "I'm rich in ornaments!" she giggled. So I giggled too. A great concept, being rich in something in particular.

These are about 2" across. They still need ribbon hanging loops to make them properly ornamental. Until they can hang, they are just large fabric coins. Which is a nice enough concept, but hard to keep on a Christmas tree. 

Because Aerin was home sick today I got to spend some quality time with the computer updating things. As a direct result of that, the Bigcartel link (above, see Large Works For Sale) has something in it. The reproductions of the pond pictures are there. If the chicken originals don't sell at the craft show, then I'll post them there as well.

The cards will go on Etsy. If you click on the grid of things on the left there, it should take you to the Etsy store. Alternatively, there is a button on the top bar (Cards and Small Works) that will take you there as well. 

willow leaves

pages of willow

Working again on the sketchbook. These are some of the willow pages. I was particularly pleased with the idea of enclosing real leaves, as well as prints from real leaves. The stitched portrait was especially fun to make, with all those sweeping lines of weeping branches. I need one more willow thing – the seeds are hard to come by right now, but I may be able to do womething with the bark, or a willow withy. 

tree portraits

portraits; elm, oak, sycamore

Using the (extremely smart) cell phone, I can take pictures of things even when I forget my camera. These were taken using a cool app that emulates old film cameras: a Brownie ( got one of these for Christmas one year, I remember it with great fondness), a Russian orange box, a Polaroid (of a vintage I recognize from my childhood) and a pin hole camera. I particluarly like this format, from the strange Russian orange box. 

I'm working on several folios at once, experimenting with things that work, and things that don't.

The leaf prints from yesterday were made by coloring on the back of a leaf with oil paint sticks, and then ironing it, paint side down, on the page. It hightlights the veining in the leaves, and some of the edges, it keeps paint form going everywhere on the workbench, and ironing leaves makes the most evocative smell.