I use frequently use silk to represent water in my work. China silk makes a good sky, and dupioni and noil have a rougher texture that works well for ponds and streams. One of my favorites is silk organza; a stiff, translucent fabric that is easier to work with than other sheer fabrics. Organza is best to add depth and distance, as well as adding clouds, mist and fog.
The above pair of pictures are my attempt to make sense of layers of morning mist my friend Jen captured on her morning walk to her lake. I worked from the background of the picture forward, putting down each layer and stitching in details. On one piece, I left the organza loose, on the other piece I stuck it down with Misty Fuse, a very light fusible web that shows much less behind very sheer fabrics. The two pieces feel very different to me, and I’m not sure I like either of them.
One of my studio rules is: If you love something, do it again; also if you hate something, do it again. I didn’t love either one of these, but I do very much like particular details in each one. I think I have to make a third iteration, using both techniques, and see if I can catch the feeling I am aiming for. My thanks to Timna Tarr for her excellent performance as a rubber duckie* on Saturday.
*I am told, by people who program, that many engineers keep a rubber duckie to explain things to. Apparently describing the problem out loud, to a sympathetic audience, helps locate the problem. This works with someone who understands the problem, someone who does not at all understand the problem, or even an inanimate creature such as a rubber duckie.
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