At least, I hope they are illuminating. Because I wanted to clarify for myself how differently the light-fabric and dark-fabric transfers worked, I printed the same image on each kind of transfer sheet. And then I realized I had failed to reverse the printing on the light-fabric sheet, so it would be backwards. (* headdesk *) This is the side by side comparison, on light and dark fabric, of the two different transfer sheets:
Okay – from here on I am calling them opaque and transparent transfer sheets. On the left page, the left side is opaque, the right side transparent. You can see how the white fabric shows through the snowy parts of the image (it is mirrored around the center line) so it looks snowy. On the right page, the left side is transparent, and you can see how the image is nearly invisible against the dark purple page, while the opaque side still shows lights and darks, although they are muted a bit because the opaque sheets kind of melt into the fabric when you iron them.
My experience with this experiment seems to be that all transfers work better on light colored or white fabric. I imagine printing things onto tea or coffee stained fabric would yield interesting aged looks.
In other news, I rode two horses today, the first was the red mare, and we went out in the woods with a friend and had a great time. This is a picture of us afterwards, taken by Elaine who obviously loves us both:
And then I rode Brooks' beloved, ancient gray horse Nuada. We went out in the field, because it is lovely now, but the rain is supposed to come tonight and make the lovely snow vile and wet and then freeze solid so that walking becomes deeply hazardous and un-fun. So: canter cincles in snow = deep happiness.