bear anatomy

I mentioned a while back I had been working on making a jointed bear. the plan was to use the laser cutter to cut parts, and then hold them together using some kind of pins or tiny nuts and bolts so the legs and head would move in realistic ways. I was inspired to do this while looking at Laura Mathews Instagram feed – she makes extraordinary articulated animals, and they look like such excellent toys, both to build and to play with.

I started the process with a drawing, and some reference photos, and worked out a first draft, but it wasn’t quite right, and I wasn’t sure why.

I am embarrassed at how long it took me to think to look at actual bear anatomy, especially bone structure and musculature.

I did not look for bear anatomy, because I thought I understood quadruped anatomy, because I have drawn horses for my entire life. Any quadruped I see, I can map it roughly onto a horse, and sketch out something that looks perfectly reasonable. But it is not, in fact, reasonable.

To be technical, a horse is an ungulate. They walk about on their tippy-toes, and hide their (vestigial) thumbs up their legs somewhere. (Alice weirded out another visitor at the Harvard Museum of Comparative Zoology by crooning to a skeleton “ah my little ungulate, and where do you hide your thumbs…?”). Bears (and I realize this is a shock) are not ungulates. The scales have fallen from my eyes, and my bear models are hugely improved:

Also I am looking at all other mammals (squirrel, rabbit, chipmunk, cat), and also many non-mammal vertebrates (BIRDS!!! SO WEIRD!!!!), and thinking “whoa, that is not an ungulate either, I wonder what their bones look like???”

tl;dr Bears are not ungulates, and once you understand their skeleton better the models of them work SO MUCH BETTER. Also I think it hilarious that I was last month years old when I figured this out. There is always room for new knowledge. What have you learned recently?

archives: Haystack fiber studio 2012

In 2012 I went to Haystack Mountain School of Crafts for a two week course with Marian Bijlenga. It was intense, and lovely, and the food was amazing, and I had a wonderful time. We were working with water soluble stabilizer, making fabric out of thread and strange objects and thin air.
water soluble one

coiled twigs, pinecone sections, stitched velvet circles

 

water soluble two

velvet scraps in thread grid

 

thread landscape

coastline study, perle cotton, invisible thread

Before I left for Haystack, I was having trouble sleeping, and having stress dreams about not fitting in, not having the skills I’d need… Eventually I had a soothing dream about going to the shoreline, and choosing rocks, and sewing little velvet coats for them. When I got to Haystack, I was fine. I had all the skills necessary, and wonderful people in my studio to work with and share with. But my dream of little coats for rocks stuck with me, and I made several.

And when I got sick of velvet, I made some lined linen jackets for more beach rocks.

white velvet jackets for rockssilk lines linen jackets for rocks

 

 

 

 

 

The application of whimsy is almost always a good plan.

more experiments, also I am MIGHTY!!

Many things have gone right today: Aerin and I found the bassoon guy after a very twisty drive into the edge of Boston. We got home from that safely too. I found my camera. I bought a new faucet for the kitchen sink, and removed the old one, and installed the new one, and with Red Kate's help even managed to remove the old sprayer spigot and replace it with the new one. I found a bunch of pieces for the Music Man set that will get built next weekend. I also have enough budget for a lot of them.

So here is yesterday's piece – a transparent piece on the back of the previous day's piece. I like the way the image is visible and less so depending on the intensity of the gesso that bled through the fabric.

jan 23

 Today's was one more reason I am mighty. I used an opaque transfer, and I wanted some of a transparent transfer over the top of it. So I ironed the transparent transfer face down on the opaque transfer…. and it STUCK. ARGH!! I tried to peel it off, and Red Kate tried to peel it off, and we agreed maybe water might help, and IT DID. (mighty, I tell you what!)

The end result is very misty and mysterious, and might still have a thin layer of paper over the top, but at least the image is visible. Which is better than I hoped for originally. (Really. I had a picture of the blank white back of the transfer paper, with pathetic little rips along the edges, all ready to post because I had already accomplished so much today I was willing to let that go. And then: win!!)

jan 24

maple moon (wings)

july 30

via www.flickr.com

Still experimenting with gelatin printing.

I used a biscuit cutter to cut nice round circles out of the sheet of gelatin, and experimented using those as block for printing. Since my biscuit cutter is smaller than my circle-a-day circles, there is an unprinted edge that I wanted to accentuate.

I realized I have not yet posted links to my sources for gelatin printing.

My favorite, and primary source, is Linda Germain, and her blog Printmaking Without a Press. Linda does lovely, delicate work. She has answers to frequently asked questions, and videos on YouTube for those who want to see what she's talking about.

The Sketchbook Challenge blog also has a tutorial, and some pictures of the process.

I have really enjoyed having the gelatin block around to experiment with this month. It has been a lovely cool way to spend time working with fabric and color. I found it easy to get started. The gelatin block was fun to make and fun to hold (and fun to make wiggle! think industrail strength Jello Wigglers…) The materials I used were things I had on hand (white fabric, fabric paint) so the project scrimmage was small. 

It took me a lot of experimenting to come up with truly lovely things, making me uneasy until I hit my groove. I am also not entirely sure what to do with the pieces I don't love. I finally decided I'd hold them as potential blocks for stitching together into a lightweight coverlet or unfilled quilt. Or maybe I'll just give them away. It is a good year for it!

 

what I did at summer camp

by me, Lee:

 

what I did at Summer Camp

to recap:

  • I made a circle a day
  • I made a bunch of experimental art pieces using white fabric and a ton of thread
  • I made other experimental art pieces using only thread and odd non-fabric things
  • I went kayaking
  • I sang to the moon
  • I waded in exquisitely cold water
  • I stitched an achievement badge for each of my classmates and my teacher
  • I made some velvet jacket for beach stones
  • I made some lined linen jackets for other beach stones
  • I ate a lot of very nice food, including a great deal of dessert
  • I was as nice as possible to everyone I bumped into (some of these were easier than others)
  • I came home ready to think about what I'm doing, but it will probably take a while for this to sink in – most things take a while to sink in for me…

 

a day of very nice things

april 15

Today I went with my friend Joyce (from the casting class) to Shelburne Falls where we walked through a small number of amzing stores and galleries. There were more, but we ran out of time. joyce knew people everywhere, and we talked with everyone about art and the things they had in their stores, and New England. It was lovely.

I brought my circles, because (as you know) I have to give them away. It is a karma thing. I was describing to Al people's expressions when I offered them small stitched art; first disbelief, then increasing pleasure in the looking, and an almost audible "ding" when they saw one they liked. He said that sounded like how I got paid for them, which sounds about right.

And then once I was home I checked my mail and I've been accepted to Haystack Mountain School of Crafts for a two week session with Marian Bijlenga working with fabric in circles and exploring the Maine coast environment. It feels like an amazing opportunity to push the circle-a-day circles further and maybe in new directions.

Which makes today a very, very nice day.

casting class

march 24

Not choosing actors for parts. Not fishing with thin lines and flies. Not throwing things.

Casting and molding class today, a different class at the museum school. I loved the teacher, we did interesting and exciting things, and this is the first thing I made. It reminded me of pressing shells and sticks into sand and pouring plaster into it. I think I made a dragon that way. It was lovely.

This was pressing a lot of fossils and modern shells into clay, and then making a mold of it. I like the way things overlap. You can see two trilobites, and a lot of coiled shells and several brachiopod impressions.

I felt so odd from napping and waking up badly that even though I made a circle it was very ugly.