What I like about this image is how it looks old, and battered, and almost like a fresco on the fabric. I ironed one image down (onto silk, which is why there is that sheen underneath the image) and then tried to iron a second over the top. The result looks exactly the way I feel, so it could be accounted successful.
I also started a new larger piece, inspired by all the fog and rain and veils of water in the atmosphere over the last couple weeks. One small piece of it looks like this:
Open fields on a hillside. A lot more will happen to this.
Lee Thomson 