ending 2020

This has been a decade of a year. I don’t even know what to say about it, that other people haven’t already said, and said better. It has, like most years, both crawled and flown. It has definitely had some comedically awful parts, as well as heartbreakingly awful, and plain boring and awful, and glimmers of the completely ridiculous.

I started 2020 as oblivious as anyone. I started the 100 Day Project on Jan 22, 2020, slated to end April 30. By the time the time April 30 happened, we were in the middle of lockdown for the pandemic, and it seemed silly to stop. So I kept going. I kept going past 200 pieces, and past 300 pieces, and through the election, and the subjective month it took to count and recount the votes, and here I am closing on a full year.

Oddly for me, I am not sure how to stop. I could keep going – I’d have to stop labeling each day as N of 100, because working on the second year is just a complete failure to comprehend the idea of a limited project. I could stop with Inauguration Day. I could stop at a full year, on Jan 22. (Your comments are welcome on this topic!)

I leave you with some retrospective pictures of the tiny finished things, massed together.

Notes: Pieces are glued to tie-tack pins and stuck into twelve inch square cork tiles. The first 100 were in varied frames, with double-size frames every Sunday. For 1-50 and 51-100 the taller frames meant it was easier to fit 50 pieces/cork tile. Continuing the project, I chose uniform size frames to fit better on the display tiles. Numbers 101 – present fit sixty-four to a tile.

firsts

The first sip of coffee. The first swig of a cold Steel Rail Pale Ale. The first dip of toes in the ocean at the beach on the first day it is not quite warm enough to get really wet (this varies wildly for the people I know). There is a sort of shock of delight at the beginnings of things. The first spring peepers. The first frost in fall. It seems to be combined pleasure and relief, that the thing you’ve been feeling wistful for lives up to the moment you remembered.

I’d like to add to those; the first cut you make with a new X-acto blade. That precision, and ease – it doesn’t happen past the third or fourth cut, and replacing blades for every single cut feels unconscionably wasteful, but that first slice? Just delightful.

What provides that blip of delight for you?

Bench Notes: printing from embroidery

I had an epiphany the last day of the North Country Studio Workshop, when I was captivated by the work in the print studio, and I came back to the fiber studio and looked at all the stitches we had put on things-that-were-not-fabric – the stitches made a raised surface that looked like it could be printed from.

I feel like I have been broody about this idea for the last three weeks, like a hen all spread out over her nest, protecting the eggs and keeping anyone else from looking at them too closely. Including myself; if I examine an idea in this stage too hard it just evaporates out from under me. Whereas sitting quietly with the tiniest beginnings allows them to grow, to gather steam and become big enough to work on.

These are tests, so they are fairly small (2.5×3.5″) I started with the process I am most comfortable with, using my sewing machine with #8 perle cotton in the bobbin. I worked with the piece upside down, which was helpful in part because that is the way the image will look printed. This is just the first two iterations, and some notes on what I think I want to change for the next iterations.

Notes:

  • the dots of fusible on the interfacing come through
  • stitching or not stitching the background does not seem to matter
  • the interfacing might not be stiff enough to hold the threads up, proud of the surface, enough for printing without the substrate carrying and transferring ink as well
  • wetting the embroidery slightly makes the ink soak into the threads, and provides a bolder print
  • except it also makes the ink soak into the substrate more, so there is more background noise

Next Steps:

  • find smoother interfacing, without the prominent bumps of fusible
  • try drilling holes in a stiffer substrate – chipboard or thin plywood
  • what difference does hand sewing make? I could use thicker threads working by hand than with a machine, but the line is not continuous
  • does a different type of thread matter? Nylon, rayon, linen are all on hand for testing